Giorgio Spadaro may have sought a practical degree in bookkeeping, but his life has largely been spent in pursuit of his art. Spadaro a writer and sculptor, was born Modica, Sicily in 1925, but his life and studies have taken him all over the world from Benghazi, Libya, where he spent some of his childhood to Switzerland, where studied philosophy, painting, and sculpture. 

One of the defining moments of his life was during World War II when his family was urged to leave their home in Benghazi for Tripoli. A truck headed for the city departed with his mother and sisters on board, but Giorgio and his father were left behind in the confusion. It was not until Benghazi came back under German and Italian control that Giorgio and his father were able to begin their frantic search for his mother and sisters. Spadaro went to find them in Tripoli where he arrived by bus, starving and lost. He spent his first night in the city on an old mattress in an air raid shelter. In the morning he began his search for his mother, and eventually found her living in an apartment in the city.

With the war behind him, Giorgio was free to pursue his art. Born into a family of artists, he joined his family tradition studying painting under his father Angelo, his uncle Orazio Spadaro, a priest, painter and poet, and his cousin, Beppe Assenza, a painter. After moving to the U.S. in 1949, Spadaro first worked as a model maker for church goods and industrial design firms. But his true passion was for sculpture. A self-taught sculptor he has devoted many years to his craft, creating his own designs and teaching others.
Over the years he returned to Italy several times to continue his studies. In addition to creating art, he also shared his expertise about the art world through his writing.  Spadaro is a published author, having penned the book, The Esoteric Meaning in Raphael's Paintings and contributing four short stories to the anthology, Four Authors Imagine the World. 

Because his life has been spent in pursuit of his passions he hopes that the Una Vita Foundation will be successful in its mission to provide young people in small village like Raviscanina with the same opportunities, without leaving home. He says he would like to see the day that people in small villages will be free to choose their future based on their individual preferences and not be bound by traditions that may not suit them.

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Joseph Pluchinotta got his first glimpse of the gray-­-tinged skyline of New York City on a cold February day. He learned quickly from that day forward that his American experience would bear little resemblance to the James Stewart movies he had watched back in Italy. His foreign dress and inability to speak English made him an outsider in New York. Pluchinotta’s experience in the U.S was common for many immigrants at the time. There were few helping hands—for many it was sink or swim.

Although it was his most difficult, Pluchinotta's transition into American society was not his first. He was born to Italian parents in Libya, which prior to World War II was an Italian colony. In the mid-­-1950s the family was forced to leave the country. They headed to Italy, where they lived for just over two years until his parents decided to move to the U.S. His parents, Italian citizens, had a long wait for a visa. But he and his sisters, Libyan citizens, were rapidly given clear passage. His father hoped that sending the children ahead would speed their own visas along. The gamble failed, and Pluchinotta and his sisters came to the U.S. alone. They lived there with extended family for nearly four years before their mother arrived. Their father followed a year later.

When Pluchinotta thinks back on his childhood he says he was always an outsider anywhere he has lived. He was an Italian transplant in Libya, a boy who grew up in Africa among Italians, and an Italian immigrant in the U.S. Despite the initial challenges he faced upon his arrival to America, he thrived in his new country. If you ask him today, he’ll tell you that he’s an American. But years ago when he lost his Italian citizenship, for reasons he can't explain, he wanted it back. His ties to his home country still run deep, he says. It is those ties that drew him to the Una Vita Foundation. As a board member of the foundation he will assist with the study of life in Raviscanina. It is his hope to preserve the lifestyle in small Italian villages. He shares the concern of other board members that a way of life may be eroding because young people who seek college degrees are forced to move away from their villages to find employment.

“I would like to see what can be done in small towns to help them keep their young,” says Pluchinotta. He ultimately hopes that someday, through their efforts, more of Italy’s youth will be able to take their degrees back home.

“In the U.S. if a town turns into a ghost town you lose maybe a few hundred years of history. If an Italian town disappears, you lose a millennia,” he says.

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